Folk Performing Arts in the Vietnam-China Border Region - A Case Study of the Lo Lo and Hmong Ethnic Groups in Lung Cu Commune, Ha Giang Province

Abstract

This article analyzes the current state of folk performing arts in the Vietnam-China border region through case studies of the Lo Lo and Hmong ethnic groups in Lung Cu Commune, Ha Giang Province (now Tuyen Quang Province). The research findings indicate that the Lo Lo have effectively preserved and utilized their folk performing arts, harmoniously blending traditional elements with modernity and closely integrating them with community-based tourism. This approach creates a “dual value”, preserving cultural identity while boosting local livelihoods. In contrast, among the Hmong people, folk performing arts are gradually fading due to a lack of performance environments, limited infrastructure and tourism services, and disruptions in transmission. Based on these findings, the authors propose some solutions for preserving and promoting the values of folk performing arts tailored to each ethnic group, aligned with the requirements for sustainable development in the border region.