Vol. 40 No. 4 (2024)

RESEARCH

• REPRESENTATION OF TIKTOK IN U.S. NEWS AFTER THE NO TIKTOK ON GOVERNMENT DEVICES ACT

  Linh Phuong Nguyen, Thi Minh Tam Nguyen

  1-21
• RAPE CULTURE AND RAPE MYTHS ON FACEBOOK FANPAGE OF BILLBOARD: THE CASE OF KESHA AND DR. LUKE

  Bao Anh Pham, Thi Hanh Hoang

  22-37
• A HISTORY OF THE SELF-CONTRADICTORY NATIONALISM OF THE U.S.

  Thi Ha Anh Nguyen, Ha Thanh Phung

  38-57
• POVERTY AS A CONCERN FOR HUMAN SECURITY: VIETNAM’S POLICIES ON MULTI-DIMENSIONAL POVERTY

  Hoang Giang Dinh

  58-73
• AN ANALYSIS OF THE “HOSPITAL PLAYLIST 2” MOVIE POSTERS: A VISUAL GRAMMAR APPROACH

  Thi Hanh Pham, Quynh Chi Le

  74-89
• THE REPRESENTATION OF THE MONG ETHNIC GROUP IN THE VIETNAMESE TV DRAMA SERIES “MÙA XUÂN Ở LẠI” (2020)

  Thanh Lan Hoang, Thi Van Quyen Phan

  90-112
• INTERSEMIOTIC THEORIES: TOWARDS A FRAMEWORK FOR THE ANALYSIS OF THE INTERPLAY OF LANGUAGE AND VISUAL IMAGES IN MOVIE POSTERS

  Thi Thuy Linh Nguyen

  113-127
• CONCEPTUAL METAPHORS OF ARTIFICIAL INTELLIGENCE AND AI DEVELOPMENT IN THE GUARDIAN NEWSPAPER

  Tuan Minh Nguyen

  128-141
• A MAN IN ROMANCE: THE PORTRAYAL OF THE MALE PROTAGONIST IN NETFLIX’S SERIES “BRIDGERTON” SEASON 1 (2020)

  Thuy Tien Ha, Thi Phuong Quynh Vu

  142-159
• FOSTERING SELF-AWARENESS AND SELF-LOVE FOR MINDSET TRANSFORMATION AND PERSONAL GROWTH: INSIGHTS FROM THE HEALING JOURNEY OF A LITERATURE CHARACTER

  Quynh Trang Cao, Thi Thanh Binh Van

  160-180
• “LA HAINE”: CINEMATIC INSIGHTS INTO PERIPHERY INEQUITY AND FRENCH NATIONAL IDENTITY

  Thuy Vi Tran, Thi Thanh Huyen Hoang

  181-199