Ứng dụng múa lên đồng trên sân khấu múa chuyên nghiệp

Abstract

The dance in the ritual (part of the belief system) plays a pivotal role in the ritual’s structure and is a cultural and artistic phenomenon with profound expressive value. On the professional dance stage, the dance is inherited and refined by choreographers, who select folk movement language and combine it with music (contemporary or newly arranged folk music), along with modern costumes, props, and stage organization. These works both preserve the spirit of traditional culture and create new aesthetic effects, catering to contemporary audiences. This article analyzes three representative works directly inspired by the - belief, which have left a mark on Vietnamese professional dance: Hau van Xa thuong (People’s Artist Chu Thuy Quynh), Hoa vang (Tran Ly Ly), and Nam Phuong Mau te (Tan Loc). These are artistic creations that reinterpret traditional essence within the language of dance and a contemporary stage context.