Tư tưởng khai phóng trong nghệ thuật tạo hình Việt Nam - Dấu ấn 100 năm sáng tạo và đổi mới

Abstract

Open educational thinking and interdisciplinary approach have contributed to the formation of an independent creative style, promoting the exchange between traditional and modern fine arts through historical periods: colonial, war and integration. Liberal ideology not only affirms national cultural identity but also expands the ability to absorb the quintessence of world art. At the same time, it affirms the relationship between art, education and cultural and creative industries, thereby proposing sustainable development orientations for Vietnamese visual arts in the integration period. The article analyzes the role of liberal ideology in the development of Vietnamese visual arts since 1925, starting with the establishment of the Indochina College of Fine Arts.