FANTASY COLOR OBJECTS IN NGUYEN HAI YEN'S SHORT STORY

Abstract

collections Quan Thuy Than and Rice Flowers at the Bottom of the Lake. The work has conquered readers with its engaging, engaging narrative voice and through many new levels of language, characters and life. What's special in the story collection is that the author exploits the context and people in the North Vietnamese countryside in a sharp and lively style with realistic and magical realism. Applying the analysis-synthesis method, the systematic structure method, and the poetic approach, the article analyzes the magical expressions of time in the female writer's short stories. Through analysis, the article points out the meaning of time with magical colors in the story such as: broken time, co-occurrence and time intertwining the past and present.